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- Support for GLSL, CoreImage, Quartz Composer, FreeFrame, FreeFrameGL plugin formats
- Preview layers before or after effects are applied
- Quickly save and restore effects presets
- Geometry adjustment and rotation
- Color adjustment, blurs, sharpen
- Chroma and luminosity keying filters for creating layer masks
- Includes dozens of stylize, tiling, and distortion effects
- Create custom categories for organizing effects
- Connect to any standard MIDI and OSC enabled controller
- Automatic BPM Detection from an audio signal powered by Wavesum
- Functions as both media server and lighting console with support for sending and receiving DMX universes over ArtNet
- Access to virtually every playback option including triggering media files and restoring presets
- Send and receive MIDI and OSC between computers, iOS devices, tablets, and local applications
- Publish parameters and browse remote properties of other software with OSCQuery
- Sync timecode with other systems via LTC and MTC protocols
- Automate controls using audio analysis, oscillators, bezier paths, and other data sources
- Create custom data-source plugins with Quartz Composer
See Full List On Carrier.com
AEScripts AfterCodecs 1.9.7 Full Version for After Effects, Premiere Pro & Media Encoder for Windows Macintosh Free Download
The power to render compositions in the background at maximum speed! Say goodbye to slow Media Encoder.
Multiprocessing, lots of integrations, notifications and file type conversions – all in one super tool.
Filling the codec gap
.MP4 and .MOV:
H264 / H265 : the best and fastest compression
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Codecs and containers:
- [MOV] ProRes: 6 official profiles (422 LT / Proxy / Normal / HQ / 4444 / XQ) and 2 unofficial profiles (422 Ultra / 4444 Light). ProRes 4444 Light / 4444 / XQ supports the Alpha Channel.
- [MOV] HAP GPU accelerated codecs: 4 codecs (Hap, Hap Alpha, Hap Q and Hap Q Alpha), you can choose disable Snappy compression and change the number of CPU chunks, and for Hap and Hap Alpha you can choose your compression algorithm (each have their own tradeoff between speed and quality)
- [MOV] [MP4] x264: best H264 / AVC implementation, outperforming both Adobe Media Encoder and QuickTime H264. A special Youtube Upload profile is provided, very easy to use!
- [MOV] [MP4] x265: files are ~25% lighter than x264 for the same quality, but slower encoding
- [MOV] [MP4] x264 RGB: same as x264 but avoids YUV colorspace, best for storing separate channels in one video like UV maps, alpha, 3D passes etc. (for power users!)
Known Limitations:
- Don’t use the ProRes for broadcast. Always test your hardware and software. It’s not an official version of ProRes; for example ProRes 4444’s Alpha channel doesn’t seem to be accepted by Blackmagic Hyperdeck Studio Mini.
- For H264 and H265, dimensions of the video must be even (=> odd resolutions will fail), except if you choose YUV 4:4:4 for H264
- Interlacing: lower field first in H264 recognized as top field first by Adobe