Slog2 Realistic Lut

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Earlier in June Sony released several new 3D LUT’s for the F55/F65 in their forum and having just wrapped up principle photography on a cinematic style film I DP’d called Uncommon Enemies I wanted to give them a try and see how they would look. When applied to my slog2 + sgamut footage the results immediately blew me away and it was quite amazing to see my shots transform with new characteristics of their own derived from the Sony LUT’s.

Below are LUTs applied to a single frame from the film using Davinci Resolve with no other pre or post image adjustments. Individual results will vary on the exposure and color temperature setting of the original footage. You may need to adjust your exposure before applying LUT for optimal results. I also recommend you select the clip attributes in Davinci Resolve and set the video levels to use the full data values 0-1023.

You can view a 1920×1080 version available by clicking image.

Lut

original frame shot in slog2 + sgamut

slog2 to Rec709 version 1 (LUT posted by Sony in March 2013)

1D slog2 to Rec709 LUT built into Davinci v9 or higher

slog2-sgamut to Rec709 LC709 (Released June 2nd 2013 by Sony)

slog2-sgamut to Rec709 LC709 Type A (Released June 2nd 2013 by Sony)

slog2-sgamut to Rec709 Cine+709 (Released June 2nd 2013 by Sony)

Lut

Other LUTS:
starcentral LOW CON 01 LUT (available for free download from my blog)

Slog2 Realistic Lut File

starcentral GOLDEN TEXAS LUT (available for free download from my blog)

These are not really recommended for grading purposes and can be destructive to your images, so if you’re going to use these for grading purposes its best to use the Sony Cine LUT as a starting point or just start your grade from scratch.

Lut

To download these LUT’s visit the following links, the StarCentral LUTs are ones I created myself and others have enjoyed:

Applying LUTs in DaVinci Resolve

You can apply a LUT for color work in DaVinci Resolve 12.5 as follows.
First, download S-Log2 LUTs from the Sony website and save them in the LUT folder, because DaVinci Resolve 12.5 only includes S-Log3 LUTs.

Sony Slog2 To Rec709 Lut

Download 3D LUTs for DaVinci Resolve

  • S-Gamut/S-Log2
  • S-Gamut 3.Cine/S-Log3

Procedure

Start DaVinci Resolve 12.5 and make sure the Project Manager screen is displayed.

Click [New Project] and open a new project with a name of your choice.

When the [Media] page is displayed, import your material.

In the volumes listed in the upper left, select a folder with material to import. Clip thumbnails are shown once the material has been imported.

Drag clips to the [Media Pool] area.

Slog2 Realistic Lut Game

If the frame rate of a clip you drop does not match the project frame rate, a frame rate conversion window is displayed. Click [Change] to adjust the frame rate of imported material to match your project.

Open the [Edit] page.

Slog2 Luts

In the toolbar, select [File] > [New Timeline]. A window opens. For your new timeline, decide details such as [Start Timecode] and [Timeline Name].

Clear the selected [Empty Timeline] check box, and then click [Create]. All clips in the [Media Pool] area are arranged on the timeline.

Open the [Color] page.

Right-click one of the clip thumbnails in the middle of the screen and choose a LUT from [3D LUT].

You can also add your regular LUTs to the [3D LUT] menu.

Click the [Project Settings] icon in the lower right. In the window that opens, click [Open LUT Folder] in [Color Management]. Save the LUTs you will use in this LUT folder.

Here, use the S-Log2 LUTs you downloaded initially. Click [Update Lists]. You can now select the LUTs from [3D LUT].

In actual editing, you may need to adjust the contrast before applying a LUT. In this case, go ahead and adjust the contrast before applying the LUT. With the LUT applied and your clip shown in colors for a Rec. 709 screen, you can now color grade it as you imagined it.